- ‘Young In Hong: Look But Don’t Touch’, ArtReview Asia (Winter 2025)
- ‘hover time’, in A Curatorial Practice for an Unfinished Nation, Gwangju Biennale International Curators’ Course 2025, with Binna Choi, Avery Gordon, Drew Kahu’āina Broderick, Stephanie Waiyi Bailey, Sebastian Cicocki, and others
- ‘Lost and Found? Hamad Butt at Tate’, Tate Papers no. 36 (April 2025)
2024
- ‘Hamad Butt and art in Britain at the end of a century’, Art UK (September 2024)
- ‘Spotlight on David Medalla’, Art UK (September 2024)
2022
- ‘Apocalypse, Now! Queer Hope for the End of the World and Dew Kim’s Succulent Humans’, in Edwin Coomasaru and Theresa Deichert (eds), Imagining the Apocalypse: Art and the End Times (Courtauld Books Online, 2022)
- ‘Jarman’s Breath’, in Richard Porter (ed), Responses to Derek Jarman’s Blue (Pilot Press, 2022)
2021
- ‘The Promise of Parasites: Queer Currents and Currencies of Queerness in Dew Kim’s Latrinxia: A New Utopia’, immediations no. 18 (December 2021): 85–103
2020
- ‘Sex/Gender/Work: Samak Kosem’s Chiang Mai Ethnography’, Courtauld Gender and Sexuality Research Group (September 2020)
2019
- ‘Chinternet Ugly, Centre for Chinese Contemporary Art, 8 February – 12 May 2019’, immediations vol. 4, no. 4 (December 2019): 114–117
- ‘The Networks of Nam June Paik’, Hyundai Tate Research Centre: Transnational (November 2019)
2018
- ‘Art Time, Life Time: Tehching Hsieh’, Hyundai Tate Research Centre: Transnational (January 2018)